The whole situation does support the Republican talking point that Obama followers tend towards worship of the man, but that's hardly news. It's certainly not true of all his supporters, but clearly, many, many Democrats think Christmas came early this year. Given that Christmas is pretty much a secular holiday at this point, it's not too surprising that even the more sacred carols would be interpreted in a more humanistic way; I suspect many people want to feel something spiritual at Christmas, even if the original story doesn't work for them. I will say this - bleak midwinter probably describes Chicago better than just about any day in Bethlehem. Still, for the record, I'm much more moved by Christina Rossetti's beautiful words. (I don't know who wrote the words for Fleming (Keillor, perhaps?), but rhyming 'Washington, D.C.' with 'festivity'? Or "People rise at dawn and do what must be done"?
One other note about Renee Fleming on PHC. Earlier in the evening, she sang Strauss's Zueignung. [86:21 into the show.] I was thrilled to learn when it ended that the pianist was Bradley Moore, a fellow Arkansan and fellow classmate of mine - but, why did Fleming burst in on the wonderful big piano solo that occurs just before the end? That's our moment, Ms. Fleming! When I heard it live, I first thought she'd made a mistake, but a rehearing makes it clear that she knew what she was doing. Does anyone know the story of this alternate version? (And, let me repeat, it's THE big moment in the song for the pianist. Please let us have that, songsters. We don't ask much.)
[Note: the Zueignung score linked above has some friendly coaching advice for singers.]
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