I've been straining to find a good music-based reason to post this video.
I guess I could say it's not hard to imagine this sort of music instruction. "I just have no concept of the meter you're playing. Maybe you should take time at the barline there...well, don't take time, but stress the downbeat. Well, don't stress it, but, I mean, let us know it's there. I mean, not really there, but in your mind. I mean, you shouldn't fixate it on it; just thinking out loud, maybe imagine the barline is a favorite pet - I mean, not that, but something like that - like, say, a dog that you love - well, not love, but one that's always reliable and on time..." Not that I ever witnessed such instruction in all my years of accompanying lessons; I did catch myself telling a singer in a coaching today that she shouldn't worry about being a little bit extreme in her interpretive approach to a cadenza-like passage. After all, it's good to be extreme, but not to an extreme.