Monday, November 18, 2024

Carousel Memories (Emptying the Desk Drawer #5)

November is off to a busy start, so I'll express my nostalgia for the bygone days of September and October (when I had a lighter teaching schedule and was a little younger) with this recording I made late one October night after a recital. This wistful little waltz by Dick Hyman was written for the soundtrack of Woody Allen's 1985 The Purple Rose of Cairo - which is, perhaps, my favorite movie of all time. It is an almost perfect film, lighthearted and clever but also touching and sad. Set in 1935, there's plenty of fun music from the era, but Hyman's Carousel Memories is the music that stays with me (ok, also this). The film celebrates the escapism that movies provide while also critiquing the emptiness at the end of such escapes. Although the music was written in the 80s, it expresses nostalgia not only for the 30s, but also for hopes and dreams which turn out to be unrealistic. 

Anyway, if you haven't seen it, you should! And if you only have 60 seconds, try these Carousel Memories. (You may hear the version used on the soundtrack here. You may hear Hyman playing it live and then riffing on it here.) I don't have a published score, so my little version is something I worked out, though I've realized it differs in some details from both of the links posted parenthetically. It has always sounded to me like something which could almost fit into one of Robert Schumann's collections such as Carnaval, Davidsbündlertänze, or Scenes from Childhood. This is a commentary both on the elegance of Hyman's work and the forward-looking expressive world of Schumann. In other words, both Hyman and Schumann should be flattered by the comparison (if either were to care about my opinion).



More from this casual fall series of leftovers...

Monday, November 4, 2024

Bracing Bruckner (Emptying the Desk Drawer #4)

A couple of months ago, a friend shared an unusual radio station tribute to the great Austrian composer Anton Bruckner on the occasion of his 200th birthday. I believe you may still view it here - and be sure to unmute the sound! And what sound do you hear paired with a picture of the composer and some basic biographical background. Aching strings? A richly scored brass chorale? A sublime motet? Hyperpop party music with Chipmunk-style vocals and a heavy backbeat?




Yes, it was something closest to the latter. Everything about this choice is fairly incomprehensible aside from the fact that I'm guessing the music used was royalty-free? Maybe? It's especially odd since, unlike fellow Vienna-based composers Haydn, Mozart, and Beethoven - all known to write comical, lighthearted music at times - Bruckner probably has about the most serious reputation one can imagine. He wrote large-scaled symphonies and solemn sacred music, not lighthearted party pieces.

Anyway, I cannot explain the music choice, but I couldn't resist trying to Brucknerize it. I will admit that I'm not one of those dedicated Brucknerians who knows every symphony and recording and all the alternate versions. But I think the beginning of the 7th Symphony is one of the most radiantly beautiful things ever written - perhaps the polar opposite of the above. So, of course, I combined them:


And, as always, I found the combination/contrast more compelling than I would've expected. The near-silent rustling with which Bruckner begins is basically completely lost, but the starting note of THAT cello melody comes into focus and while the original soundtrack keeps time (in a way that Bruckner intentionally does not do), there are some interesting interactions between this tune and the pop bass line. Look, it's not music anyone was asking for, but there's something charming about this marriage of the highly commercial and the idealized abstract. Even though I chose to have Bruckner be what recedes here, there's a sense in which his music has come to free us from the banal, if only for a moment.

Your mileage may vary.

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This post is part of a continuing series in which silly multimedia things I create for social media are given a slightly more permanent home here and on YouTube. See also: