For the record, there is this bit of precedent, for which I can take no "credit":
It is based on this...
...and that's really the way Wings ended each week, though the opening was more Schubertian in mood.
Now, there was a time (during the late '80s and early '90s!) when I would've been horrified at someone doing this to Schubert's transcendentally beautiful music.
But, that was some time ago...
So, I present Exhibit A of what might've been if the great composers...you know:
You can't tell me that doesn't work!
If you'd like to hear the entire Dvorak movement fitted with this hip '80's vibe, here you go:
The rhythm track isn't always synced up right, but it seems there should be a limit on how much time one spends doing this sort of thing.
If you'd like to hear the "other" version, here it is.
It came to mind today when I was talking to Daughter of MMmusing about her rehearsal of the first movement of this quartet. I was trying to remember how the fourth movement went, and when its main tune popped up in my memory, it immediately took me back....not to Bohemia or the 19th century America that supposedly inspired Dvořák, but rather to quick scene changes, fast scrolling credits, and...Tony Danza?
Now available: Part II & Part III
See also: The Reich of Spring in San Francisco